At the Center for Contemporary Creation in Cordova are three key factors for the current architecture: the need for a dialogue between the building and the context of the place, the essential definition of such buildings as catalysts egyptian art for social, an aspect neglected by many architects for which premium spectacle and the development of an architecture in line with digital technology, but so this is not a mere embellishment. The architecture of this project is strongly influenced by the Spanish-Muslim culture still latent in Cordova, and compared to the homogeneity imposed by globalization in all areas, this center has a different interpretation of the West represents a continuity in the developing an architectural language itself, based on the inquiry into the metaphor, memory and narrative, providing a great work of poetic sensibility and establish a roman art link between contemporary and historical value of the site. However, greek art the design of this building goes beyond any trivialization of this tradition and keeps crucial aspect of the identity of Cordova in the building is expressed by a mere imitation of forms or ornaments. It is an architecture that describes the search for geometric laws that allowed in sculpture art the past to artists, artisans and Alarifes Cordoban generate morphologies, greece art spaces, decorative motifs and narrative patterns that govern certain Islamic literary structures. Furthermore, with antiquities this building, and Nieto Sobejano want the show called 'Guggenheim effect' because it is an architecture that is not intended to create a building that is art an icon of the city, but chooses to establish new ways to integrate within of the city to act in the Ancient art service of individuals.
Havana Bienal by Suzanne Girot (Video On Demand)