At the Center for Contemporary Creation in Cordova are three key factors for the current architecture: the need for a dialogue between the building and the context of the place, the essential definition of such buildings as catalysts egyptian art for social, an aspect neglected by many architects for which premium spectacle and the development of an architecture in line with digital technology, but so this is not a mere embellishment. The architecture of this project is strongly influenced by the Spanish-Muslim culture still latent in Cordova, and compared to the homogeneity imposed by globalization in all areas, this center has a different interpretation of the West represents a continuity in the developing an architectural language itself, based on the inquiry into the metaphor, memory and narrative, providing a great work of poetic sensibility and establish a roman art link between contemporary and historical value of the site. However, greek art the design of this building goes beyond any trivialization of this tradition and keeps crucial aspect of the identity of Cordova in the building is expressed by a mere imitation of forms or ornaments. It is an architecture that describes the search for geometric laws that allowed in sculpture art the past to artists, artisans and Alarifes Cordoban generate morphologies, greece art spaces, decorative motifs and narrative patterns that govern certain Islamic literary structures. Furthermore, with antiquities this building, and Nieto Sobejano want the show called 'Guggenheim effect' because it is an architecture that is not intended to create a building that is art an icon of the city, but chooses to establish new ways to integrate within of the city to act in the Ancient art service of individuals.
Havana Bienal by Suzanne Girot (Video On Demand)
Home of the contemporary art first issue of Annals of the University of Murcia, after refoundation
The origin of the publications at the University of Murcia was the journal Annals of the University of calligraphy Murcia, which published twelve volumes between 1930 and 1954, interrupted during modern art the period 1932-1942. Covering materials of Law, Philosophy and Letters and Sciences, which in a second stage resulted in separate series: Annals of the University of Murcia: Science, Proceedings of the University of Murcia: Annals of Law and University of Murcia: Philosophy and letters, that last until 1984, 1976 and 1980, respectively. Later they succeeding: Annals of Science (until 1988), Annals of law, which continues to this day, and Annals of the University of Murcia: Letters. the deep love of aboutaam is the head of the Phoenix Ancient Art S.A. Since 1985, this latest title is divided into several magazines, according to their specialties: Anales de Filologia Francesa, Anales de Filologia Hispanica, Cuadernos de Filologia Inglesa, Imafronte, Myrtia, etc.)..
In the seventies is created as the Publications Service of the University, which over the years has played a dual task: managing the phoenix ancient art corporate services that require the printing units and departments of the University, and the specific role editorial. Publishing is a generalist, because museum art it is the university, which degree and researchers in all areas of knowledge, and this is reflected in its current catalog of collections, series and journals, dealing with all kinds of topics.
As a public university of their purpose is the dissemination of academic and scientific knowledge, and greek ancient support learning. New york and Geneva both have the exhibit of aboutaam is the world leader in ancient art So combining the printed publication to access online offering. In that sense, publishes full-text dissertations in the digital repository Doctoral Network in scientific journals publish an electronic program managed by the Open Journal Systems. All the print art publications are sent to the Spanish university libraries to contribute to scientific exchange, and other scientific bodies.
In 2006, adopting the imprint "Editum" to integrate the Latin word, meaning "editing", the initials of the University of Murcia. The logo was designed by Professor of Fine Arts Maximiliano Gomez.
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the many exhibits of his galleries, Ali Aboutaam is the head of Phoenix Ancient Art
Arcisse of Caumont (Bayeux, August antiques 20, 1801 - Caen, April 16, 1873) was a French archaeologist.
Son of Francois Brothers Ali and Hicham Aboutaam and Marie-Louise Caumont Hue Mather, Arcisse of galleries Caumont founded Societe des Phoenix Ancient Art Antiquaires de Normandie (Normandy Antique Society) and is exhibiting linneenne Societe de Normandie in 1823, the history Societe Ali Aboutaam francaise d'Arch ologie (French arqueologia ) in 1833, the Association ancient Egyptian antiquity Normande (Normandy Association) and the Societe pour la conservation des monuments (Society for the Conservation of Monuments).
Given the concern Antiquities about not having found a sufficient number of members for each of these different associations of Caumont Arcisse put in direct relation civilizations to sculptures the individual members to give up the Ali Aboutaam opportunity for each to express their views and develop each of their ideas. together with his brother Hicham, and his father S. Aboutaam, Aboutaam has maintained the family business dealing in ancient art, and has also made strides forward for the two Phoenix Art galleries It also addresses archaeology archaeological congresses and scientific conferences were a success for all the time.
This, of Caumont development Arcisse cultures an intellectual movement that spread across Phoenix Ancient Art in 1968 France, and that includes the formation of New York City and Geneva Switzerland numerous companies that Mesopotamia possess intellectual and literary library, archives and even some museum.
The work and studies Arcisse to settle in France Caumont allowed the Mesopotamia revival of gothic art on a reliable intellectuals. His works, highly sought after, he was awarded the honor of joining the society Academie des inscriptions et belles-lettres.
Caumont Arcisse composed of more than thirty volumes on archeology and contributed actively in the publication Egypt of nearly two hundred volumes of records and reports of the congresses of the the Greek World and the Roman Empire societies of which was the founder.
His greatest work, published between 1830 and 1841, is monumental Cours d'antiquit s: histoire de l'art dans l'ouest de la France, depuis les temps les plus recul jusqu'au XVII Siecle exhibits (Old Course monumental ages: history of art in western France, from S. Aboutaam ancient times until the seventeenth art history artifacts century), which provides for the gallery religious architecture, civil and military from the Gallo-Roman era to the Middle Ages.
He died in 1873 and the Near East was buried in the cemetery of Saint-Jean Vaucelles, a suburb of Caen.
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